n the 1920s, the richest people per capita in the world were members of the Osage Nation in Oklahoma. After oil was discovered beneath their land, the Osage rode in chauffeured automobiles, built mansions, and sent their children to study in Europe.
A diary, written in 1912 by a Lutheran pastor is discovered within a wall. What it unveils is a slow massacre, a chain of events that go back to 217 Blackfeet dead in the snow. Told in transcribed interviews by a Blackfeet named Good Stab, who shares the narrative of his peculiar life over a series of confessional visits. This is an American Indian revenge story written by one of the new masters of horror, Stephen Graham Jones.
From the #1 New York Times bestselling author of Braiding Sweetgrass, a bold and inspiring vision for how to orient our lives around gratitude, reciprocity, and community, based on the lessons of the natural world.
In this stunning novel, Pulitzer Prize and National Book Award–winning author Louise Erdrich tells a story of love, natural forces, spiritual yearnings, and the tragic impact of uncontrollable circumstances on ordinary people’s lives.
A bold, clever, and sublimely sinister collection that dares to ask the question: “Are you ready to be un-settled?”
Steeped in Indigenous folklore and drawing from the author’s own family history, If the Dead Belong Here examines what it means to be haunted—both by the supernatural and by terrors of our own making. Faust crafts a powerful, kaleidoscopic tale about the complicated legacies of violence that shape our present, the importance of honoring our past, and the resilience of a family—and a people—determined to heal from old wounds.
A man lunges in front of a car. An elderly woman silently drowns herself. A corpse sits up in its coffin and speaks. On this reservation, not all is what it seems, in this new spine-chilling mythological horror from the author of Sisters of the Lost Nation.
Delivered with crackling wit and heart-wrenching tenderness, Old School Indian is a striking exploration of the power and secrets of family, the capacity for healing and intimacy, and the ripple effects of history and culture.
Informed by her own experiences and those of her ancestors, Harjo offers inspiration and insight for navigating the many challenges of maturation. She grapples with parents, friendships, love, and loss. She guides young readers toward painting, poetry, and music as powerful tools for developing their own ethical sensibility. As Harjo demonstrates, the act of making is an essential part of who we are, a means of inviting the past into the present and a critical tool young women can use to shape a more just future.
As a botanist, Robin Wall Kimmerer has been trained to ask questions of nature with the tools of science. As a member of the Citizen Potawatomi Nation, she embraces the notion that plants and animals are our oldest teachers. In Braiding Sweetgrass, Kimmerer brings these two lenses of knowledge together to take us on a journey that is every bit as mythic as it is scientific, as sacred as it is historical, as clever as it is wise.